102 results
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The most good you can do : how effective altruism is changing ideas about living ethically / Peter Singer.
Singer, Peter, 1946-Date: [2015]- Archives and manuscripts
089477/Z/09/Z: On Ageing
Date: 2010-2011Reference: WT/C/6/3/55Part of: Wellcome Trust Corporate Archive- Archives and manuscripts
A Stranger Among Us: Searching for Nick Drake
Date: 1999Reference: ART/AFH/C/1/3/5Part of: Arts for Health: archive- Books
Rosalie Lightning / by Tom Hart and Rosalie Lightning and Leela Corman and the residents of New York City, Gainesville, Florida, New Mexico, and Hawaii, as well as various singer-songwriters, film directors, actors, animators, comic artists, donors, lovers and friends.
Hart, Tom, 1969-Date: 2016- Pictures
Opposition to the Gang of Four by the agricultural workers of Dazhai, in support of Chairman Mao. Colour lithograph, 1976.
Date: [December 1976]Reference: 768534i- Books
Voice, song, and speech : a practical guide for singers and speakers from the combined view of vocal surgeon and voice trainer / by Lennox Browne and Emil Behnke.
Browne, Lennox (Isaac Lennox), 1841-1902.Date: 1884- Pictures
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A woman is playing the harp as she and her male companion sing together, representing a man and a woman in love. Etching by James Gillray.
Gillray, James, 1756-1815.Date: October 25th 1805Reference: 28520i- Books
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The hertfordshire melody; or, psalm-singers recreation. Being a valuable collection of psalms, hymns, anthems, &c. on various occasions: to which is prefixed, a new, concise, and easy introduction to the art of singing; and a copious dictionary of the terms made use of i music. By John Ivery, Teacher of Music at Northaw in Hertfordshire.
Ivery, John.Date: MDCCLXXIII. [1773]- Pictures
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A native North American wearing an animal's head and feathered accessories with a schedule of events; an advertisement by Anishnawbe Health Toronto for The Joe Sylvester memorial Traditional Pow wow at Moss Park Armoury, Toronto on September 1 to 3, 1995. Colour lithograph by Joseph Sagutch, 1995.
Date: 1995 :Reference: 668426i- Books
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The psalm singer's choice companion: Or a Plain and Easy Introduction to Musick. Set down in Form of a Dialogue: Divided into two Parts. The First teacheth the Gamut, and how to Name your Notes, with Directions for keeping of Time, and the Way how to perform the same, with all things necessary for the Knowledge of Prick-Song: With Psalm Tunes and Hymns for two, three, four, five, six, seven, and eight Voices; all within the compass of Nineteen Notes; that is, two Eights and a Fifth. With Examples how to transpose Tunes out of any Key, to suit either Voice or Instrument. The second Part teacheth to understand the Art of Descant or Composing Musick in Parts; teaching to know the Distances from one Part to another; the Concords and Discords; with Examples and Tables for the same. By Robert Barber. With an Excellent Anthem in four Parts, composed by one of the best Masters.
Barber, Robert, active 1723-1753.Date: M.DCC.XXVII. [1727]- Books
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The compleat psalmodist: or the organist's, parish-clerk's and psalm-singer's companion. Containing I. A new and compleat introduction to the grounds of music, both Theoretical and Practical, ... Also the Art of Composition, made easy by plain and practical Rules, ... To which is added a new musical Dictionary, properly digested in alphabetical Order, explaining, almost to the meanest Capacity, all such Terms and Characters as generally occur in Music, derived from various Languages. II. A set of services, commonly called Chanting-Tunes; ... III. A set of grave and solemn psalm-tunes, both ancient and modern, containing near one Hundred different Tunes, ... with a great many new Tunes, composed by some of the most eminent Masters that ever existed. IV. A set of divine hymns, suited to the Feasts and Fasts of the Church of England; with several Canons of two, three, and four Parts in one. The Whole composed, according to the most authentic Rules, for one, two, three, four, and five Voices, and set in Score, in their proper Cliffs and Concert-Keys, with the Trillo's marked, and the Basses figured for the Organ: Principally published for the Use of all Churches and Chapels, in Cities and Towns corporate as well as in Country Villages and Parishes, throughout his Majesty's Dominions of Great Britain, Ireland, and Plantations abroad. The fifth edition, corrected, with large additions. By John Arnold, Philo-Musicae, Author of the Essex Harmony and Leicestershire Harmony.
Date: [1761]- Books
The legacy of Greece / essays by Gilbert Murray, W.R. Inge, J. Burnet [and others] ; edited by R.W. Livingstone.
Date: 1923- Books
Mediæval contributions to modern civilisation : a series of lectures delivered at King's College, University of London / edited by F.J.C. Hearnshaw ; with a preface by Ernest Barker.
Date: [1921]- Books
Proud / compiled by Juno Dawson.
Date: 2019- Archives and manuscripts
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McClay, Miriam
Date: 02/08/2009Reference: TP1/A/661Part of: One and Other Project- Books
The legacy of Rome / essays by C. Foligno [and others] ; edited by Cyril Bailey ; with and introduction by the Right Hon. H.H. Asquith.
Bailey, Cyril, 1871-1957.Date: 1923- Pictures
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Sailors preparing for a concert party performance. Coloured process print after H. Gervise, 191-.
Gervise, H.Date: [between 1910 and 1919]Reference: 2059444iPart of: The James Gardiner Collection.- Books
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Church music reformed: or the art of psalmody universally explained unto all people. Containing, I. A new introduction to the grounds of music, teaching all the Rudiments thereof, in such a plain, familiar, and concise Method, as will enable most People, with a very little Trouble, to learn to sing the psalm-tunes correctly by Notes, according to Music, without the Help of a Master; also necessary Directions for pitching the tunes in their proper Keys; and a new Musical Dictionary. To which is prefixed a prefatory Discourse on the present Use of psal-mody; of the bad Performance of it in the Churches of London and Westminster, &c. Also of the new ludicrous Melodies composed by obsure Country Teachers of psalmody, which are daily creeping into Country Churches, with Reasons for laying those Tunes wholly aside, and for substituting a ̀̀set of proper Tunes, as have been best approved of by the best Masters of the last and present Age, with proper Hints for the general Improvement of Psalmody in public Worship, by one regular and uniform Manner of performing it in all Churches alike. II. Select portions of the psalms of David, properly adapted to a Set of grave and solemn psalm-tunes, both ancient and modern, being those Tunes which are now of common Use in most Churches, and were originally set forth by Authority, and are proper to be sung in all Churches and Chapels, &c. and of all the People together, with three excellent Hymns, for the three grand Festivals of Christmas, Easter, and Whitsuntide. The psalm-tunes are set in two parts, treble and bass, and figured for the Organ or Harpsichord, and are principally published for the Use of all Organists, Parish Clerks, Charity Children, and all other Lovers or Practisers of Church Music whatever. By John Arnold, Philo-Musicae, Author of the Complete Psalmodist, &c.
Date: MDCCLXV. [1765]- Books
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Voice lessons : French mélodie in the belle epoque / Katherine Bergeron.
Bergeron, KatherineDate: 2010- Archives and manuscripts
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Winter, Chris
Date: 16/07/2009Reference: TP1/A/235Part of: One and Other Project- Books
Anarchy evolution : faith, science, and bad religion in a world without God / Greg Graffin & Steve Olson.
Graffin, Greg.Date: [2010], ©2010- Books
The sense of brown / José Esteban Muñoz ; edited and with an introduction by Joshua Chambers-Letson and Tavia Nyong'o.
Muñoz, José EstebanDate: 2020- Archives and manuscripts
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Hunter, Henrietta
Date: 17/09/2009Reference: TP1/A/1759Part of: One and Other Project- Pictures
Canton, Kwangtung (Guangdong) province, China: two seated musicians. Photograph by John Thomson, 1869.
Thomson, J. (John), 1837-1921.Date: 1869Reference: 19618i- Books
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Third night. Theatre Royal, Drury-Lane, This present Wednesday, March 19. 1794; Will be Performed, (the only Time this Season) The Messiah, a sacred oratorio Composed by G. F. Handel. Part I. Overture. Recit. Mr. Harrison. Comfort ye my people. Air. Every Valley. Chorus And the glory Recit. Mr. Meredith. Thus saith the Lord. Air. But who may abide. Chorus And he shall purify. Recit Mr. Kelly. Behold! a Virgin. Air. O thou that tellest. Recit. Mr. Meredith. For, behold! Air. The people that. Chorus For unto us. Recit. Signora Storace. There were Shepherds. Chorus Glory to God. Air. Master Welsh. Rejoice greatly. Recit. Mrs. Bland. Then shall the Eyes. Air. He shall feed flock. Air. Signora Storace. Come unto him. Chorus His yoke is easy. Part II. Chorus Behold the Lamb. Air Mrs. Crouch. He was despised. Chorus Surely he hath borne. Recit. Mr. Kelly All they that see him. Chorus He trusted in God. Recit. Mr. Harrison. Thy rebuke hath. Air. Behold! and see. Recit. Miss Leake. He was cut off. Air. But thou didst not. Chorus Lift up your heads Recit. Mr. Kelly. Unto which of the. Chorus. Let all the Angels. Air. Mrs. Bland. Thou art gone up. Chorus The Lord gave. Air. Master Welsh. How beautiful. Chorus Their sound is gone. Air. Mr. Meredith. Why do the nations. Chorus. Let us break. Recit. Mr. Dignum. He that dwelleth. Air. Thou shalt break them. Chorus Hallelujah. Part III. Air. Master Welsh. I know that my Redeemer liveth. Semi Chorus. Principal Singers. Since by Man. Chorus - - By Man came also the Resurection of the Dead. Semi Chorus. - For as in Adam all die. Chorus. - - Even so in Christ shall all be made alive. Recitative. Mr. Meredith. Behold! I tell. Air. Accompanied on the Trumpet by Mr. Hyde. The trumpet shall found. Recitative. Then shall be brought to pass. Duetto. Mr. Harrison and Mrs. Crouch. O Death where is thy Sting. Chorus - But thanks be to God. Air. Miss Leake. - If God be for us. Chorus - Worthy is the Lamb. Directors, Mr. Linley, and Mr. Storace. The Principal vocal performers Mr. Harrison, Mr. Meredith, Master Welsh, Mr. Kelly, Mr. Dignum. Signora Storace, Miss Leake, Mrs. Bland, Mrs. Crouch. End of Part I. a Concerto on the Flute by Mr. A S H. End of Part II. a Concerto on the Violin by Mr. Giornovich. Amongst the Principal Instrumental Performers are Messrs. Ashe, W. Parke, Parkinson, Mason, Hyde, Flacks, Ashbridge, Ely, &c. Leader of the Band Mr. Shaw. Boxes 6s. Pit 3s. 6d. Gall. 2s. Upper Gall. 1s. No Money to be returned. Books of the performance to be had at the Theatre.
Theatre Royal, Drury Lane (London, England)Date: 1794]